G.I. Joe #49

Serpentor is one of those characters who is divisive in the Joe community.  In the early days of online fandom, Serpentor was the line of demarcation between comic and cartoon fans.  And, as comic aficionados dominated the fandom in those days, you'd see Serpentor mocked and criticized and noted as the "deth of the line".  But, by the early 2000's, the line for collectors had shifted from 1985 to 1987.  And, with that, came acceptance of Serpentor.  While there were still diehards who disliked and outright hated him, there was another faction who found him superior to Cobra Commander as a character.  In the ensuing decades, it was these later collectors who won  out.  And, now, Serpentor is viewed a major character in the Joe mythos who is generally accepted.  His figures are all popular and he remains one of the most visually striking characters in the entire library.

What is odd about Serpentor, though, is that he originated in the comics.  Sure, he was forced into Hama's world by Hasbro as a way to shake up the standard Cobra hierarchy and sell a LOT of toys.  But, Larry Hama pulled off the this licensor mandate with a deftness that defined his run on the Joe comic line.  He made the Serpentor origin story in G.I. Joe #49 amazing.  It was captivating, fun, mysterious and eye-opening: all at once.  For a kid in April of 1986, reading Serpentor's entrance into the G.I. Joe world showed that the comic writers were willing to commit to the concept and create something enduring: even if the underlying idea was somewhat corny.

I have one enduring memory of this comic.  Shortly after the issue was released, I was reading it in our faux wood paneled station wagon after my parents had picked me up from the local comic book store.  I left it in the car.  And, on Saturday, I had a soccer game.  Either going to the game or coming home from it, we ended up taking several of my friends in the car.  They found the issue flopping around in the back seat.  And, each of them read it.  To a person, they thought it was a really cool story.  Even though most of them had aged out of toys in recent months, they were enthralled by the story in the issue.  For a brief moment, I had that feeling of kinship with friends who, otherwise, had grown out of my hobby and entertainment.  Our station wagon had one of those "hidden" third row seats.  It folded down to create the trunk.  Or, you could put it up for an additional two seats.  The kicker...these seats faced backwards instead of towards the driver.  As a kid, it was great for me.  And, I spent all our long distance family trips in this seat, looking at the road after we had passed it by.  But, on this spring day in 1986, someone put the seat down right on top of my new comic.  One of the clasps passed through the entire book, tearing a huge hole.  The upside: nothing was torn out.  And, I was able to push the rip back into place and the comic remained readable.  Back in those days, I had a subscription to the G.I. Joe comic.  But, since it took a few days to arrive, I'd usually buy an early copy at the local comic shop.  So, I had another mint copy to keep nice.  But, to this day, I have that original #49 with the hole torn through it by that crazy car.

This comic's other legacy for me was it serving as my introduction to Hannibal, the famous Carthaginian general.  Something about Hannibal crossing the Alps with elephants simply enthralled me.  I read what little I could find on him in my grade school library.  As I got older, I learned more about him.  And, I even used obscure Hannibal military victories against the Romans in assignments I had in college.  It was one of those little details (the Potemkin from Special Missions #1 was another) from the comic that lead me down a path of learning.  One of the hallmarks of a great writer is that they open your mind and introduce you to new things that you'd otherwise never learn of.  Larry Hama was great at that.  And, because of what I read in the Joe comic, I'd go on fact finding expeditions at our local library to learn more about obscure things that no one else cared about or dared to explore.  And, I owe Larry Hama that lasting legacy of my personality.

There's also this fun little bit with a young girl pulling out a Dirty Harry .357 Magnum.  It wasn't that image that was so memorable, though.  It was her chilling knowledge that a bullet fired from the gun would leave an exit wound the size of a frozen pot pie.  As a kid in the '80's, bullets weren't really real.  Movies spent them like air.  And, shooting victims weren't portrayed in a realistic light.  To hear the utter brutality that a weapon like this would wreak upon it's victim was shocking.  It brought to light the power of some of these weapons.  And, that changed how I viewed wounds in my Joe world.  They were less the quickly recovered from scratches that had defined my younger days and were now devastating injuries that could have permanent impacts...if the victim survived at all.

My enduring issue with the character of Serpentor is that, once created, he can never live up to the epicness of his origin story.  The means by which Serpentor was created was a master class in applying loose scientific principles to a young audience.  Serpentor seemed entirely  plausible.  (Though, the appearance of the simalcrum they used for his body left a LOT of open questions.)  But, with such an amazing origin, there was no way Serpentor was ever going to live up to his original hype.  And, he really didn't.  Within a few months, Serpentor was played out.  And, by the time of his death, the character was nothing less than tedious.  I will say that he served a purpose in forcing the original Cobra Commander to show his dedication to his principles as he reformed Cobra and retook his rightful place atop its hierarchy.  But, beyond that, there is little lasting legacy of Serpentor beyond a neat looking action figure and his amazing origin story.

I will say that it's a damn shame that no one has been able to recreate Serpentor's look from his debut issue in action figure form.  Everyone always goes for the full regalia armor instead of this subtler and more primitive look where he has the bare chest under a flowing cape.  It's a look that works surprisingly well.  And, it one that could have been recreated using parts of the time.  If we're going to see future Serpentor figures, one of them needs to be his debut appearance rather than another armor themed figure.  We have enough of those.

All comics from this era of G.I. Joe are common and worthless.  G.I. Joe was one of Marvel's best selling titles during the '80's.  And, copies of all the issues during the heyday are common.  Of course, high grade versions will price out according to their grade.  But, the value in the comic is the story and the artwork.  So, locking it in a slab seems counter production to the nature of the book itself.  The upside is that #49 was reprinted for a Comic Pack in 2005.  Once upon a time, those were common and cheap.  Now, the figures have dried up and you don't really see people selling the comic reprints.  I've got about 5 of the 2005 issues leftover from opening up a bunch of the Serpentor/Firefly/Scrap Iron packs.  So, I can read those without risking further deterioration to my original.  But, pulling out my childhood copy and seeing the hole still ripped through  it by a 40 year old car opens the floodgates of memories.  And, that is the real value that this comic holds for me.